Journal Guide

Modern China (MCX), peer-reviewed and published bi-monthly, is an indispensable source of scholarship in history and the social sciences on late-imperial, twentieth-century, and present-day China. For more than 30 years MC has presented scholarship spanning the full sweep of Chinese studies and based on new research or research that is devoted to new interpretations, new questions, and new answers to old questions.

Modern Chinese Literature and Culture (ISSN # 1520-9857), formerly Modern Chinese Literature (1984–1998), is a peer-reviewed scholarly journal devoted to the culture of modern and contemporary China, with China understood not in the narrow, political sense (e.g., People's Republic of China), but in the sense of Greater China (e.g., Hong Kong, Taiwan, PRC, and the Chinese diaspora). The journal publishes on literature of all genres, film and television, popular culture, performance and visual art, print and material culture, etc. MCLC is edited by Kirk A. Denton at the Department of East Asian Languages and Literatures, The Ohio State University. MCLC is listed in the Arts and Humanities Citation Index. Beginning in fall 2003, book reviews no longer appear in the print journal; instead, they are published on the MCLC Resource Center, a website devoted to modern China cultural studies and affiliated with the journal. Information on book review submission can be found in the #!#!Submission#!#! page at the MCLC website. The MCLC Resource Center also has an online publication series that complements the publications in the print journal.

Modern Judaism provides a distinctive, interdisciplinary forum for discussion of the modern Jewish experience since the Haskalah, the Jewish Enlightenment. Its contributors address topics pertinent to the understanding of Jewish life today and the forces that have shaped that experience, including the Zionist movement and the establishment of the State of Israel, the socio-political role assumed by literary works of art, and the rise of modern anti-Semitism and its devastating climax in the Holocaust.

Over a century ago, MLN pioneered the introduction of contemporary continental criticism into American scholarship. Its reputation for high standards and excellent quality continue into the new millennium. Critical studies in the modern languages (Italian, Hispanic, German, French) and recent work in comparative literature are the basis for the articles and notes in MLN. The journal publishes four single-language issues and one comparative literature issue.

Founded in 1980 by the Association for the Study of Modern & Contemporary France, Modern & Contemporary France is an international peer-reviewed journal, offering a scholarly view of all aspects of France from 1789 to the present day.It is a multi-disciplinary journal of French studies, drawing particularly, but not exclusively, on the work of scholars in history, literary and cultural studies, film and media studies, and the political and social sciences.While the primary focus of the journal is France, the Editors also welcome submissions with a transnational or comparative dimension, as well as articles addressing aspects of the French Empire or France's relations with the wider world.Modern & Contemporary France publishes:research articlesoccasional articles discussing topical issues from a scholarly perspectivereview articlesan extensive range of book reviews The journal also publishes themed special issues, for which submissions are invited from guest editors.Peer Review Policy:All research articles published in this journal have undergone rigorous peer review, based on initial editor screening and anonymized refereeing by at least two anonymous referees.Disclaimer:The Association for the Study of Modern & Contemporary France and Taylor & Francis make every effort to ensure the accuracy of all the information (the "Content"contained in its publications. However, the Association and Taylor & Francis and its agents and licensors make no representations or warranties whatsoever as to the accuracy, completeness or suitability for any purpose of the Content and disclaim all such representations and warranties whether express or implied to the maximum extent permitted by law. Any views expressed in this publication are the views of the authors and are not necessarily the views of the Editor, the Association or Taylor & Francis.

Concentrating on the period extending roughly from 1860 to the present, Modernism/Modernity focuses on the methodological, archival, and theoretical exigencies particular to modernist studies. It encourages an interdisciplinary approach linking music, architecture, the visual arts, literature, and social and intellectual history. The journal's broad scope fosters dialogue between social scientists and humanists about the history of modernism and its relations tomodernization. Each issue features a section of thematic essays as well as book reviews and a list of books received. Modernism/Modernity is now the official journal of the Modernist Studies Association.

Monash Bioethics Review Monash Bioethics Review provides comprehensive coverage of traditional topics and emerging issues in bioethics. The Journal is especially concerned with empirically-informed philosophical bioethical analysis with policy relevance. Monash Bioethics Review also regularly publishes empirical studies providing explicit ethical analysis and/or with significant ethical or policy implications.  Produced by the Monash University Centre for Human Bioethics since 1981 (originally as Bioethics News), Monash Bioethics Review is the oldest peer reviewed bioethics journal based in Australia--and one of the oldest bioethics journals in the world.