Journal Guide

Concentrating on the period extending roughly from 1860 to the present, Modernism/Modernity focuses on the methodological, archival, and theoretical exigencies particular to modernist studies. It encourages an interdisciplinary approach linking music, architecture, the visual arts, literature, and social and intellectual history. The journal's broad scope fosters dialogue between social scientists and humanists about the history of modernism and its relations tomodernization. Each issue features a section of thematic essays as well as book reviews and a list of books received. Modernism/Modernity is now the official journal of the Modernist Studies Association.

View a list of the latest free articles available from Museum Management and Curatorship Museum Management and Curatorship (MMC) is a peer-reviewed, international journal for museum professionals, scholars, students, educators and consultants that examines current issues in depth, and provides up-to-date research, analysis and commentary on developments in museum practice. It is published quarterly and all submitted manuscripts will undergo double-blind review. The journal encourages a continuous reassessment of collections management, administration, archives, communications, conservation, diversity, ethics, globalization, governance, interpretation, leadership, management, purpose/mission, public service, new technology and social responsibility.MMC is committed to an intelligent balance between theory and practice and is relevant to both academics and museum practitioners. It provides an authoritative forum for challenging and debating theories, models and practices that have significant implications for museology throughout the world, while also striving to be as multidisciplinary and interdisciplinary as possible.A leading journal in the museum field for twenty years under the joint editorship of Dr. Peter and C. A. Cannon-Brookes, Museum Management and Curatorship is now edited by Dr. Robert R. Janes, Professor and former Glenbow Museum President. ------------ Now available from Routledge! - Museums in a Troubled World: Renewal, Irrelevance or Collapse? (Robert R Janes). To find out more or to order your copy today click here DisclaimerTaylor & Francis makes every effort to ensure the accuracy of all the information (the 8220;Content8221;) contained in its publications. However, Taylor & Francis and its agents and licensors make no representations or warranties whatsoever as to the accuracy, completeness or suitability for any purpose of the Content and disclaim all such representations and warranties whether express or implied to the maximum extent permitted by law. Any views expressed in this publication are the views of the authors and are not the views of Taylor & Francis.

The New Review of Film and Television Studies promotes current research in the humanities that makes a central contribution to film and television studies. The journal publishes research dedicated to clearly formulated, reliable methods of analysis, well posed questions examining resolvable problems, and focused deliberation on those problems. Essays on film theory (of all varieties), film narratology, and contemporary filmmaking practices are particularly welcome. The journal is driven by the belief that intellectually rigorous research in the humanities is both possible and necessary. In-depth stand-alone essays or extracts from major research projects in progress are particularly welcome. Please note: the journal does not accept papers written from a social science perspective. Book Reviews are commissioned for the New Review of Film and Television Studies by the editor. Books for review should be sent to Warren Buckland, Richard Hamilton Building, Oxford Brookes University, Headington Campus (Headington Hill), Oxford OX3 0BT, UK. Peer Review Policy:All papers in this journal have undergone editorial screening and peer review. Recent Articles: Jean Louis Schefer: screen memories from L'Homme ordinaire du cin233;ma Tom Conley Post-deconstructive realism? Nancy's cinema of contactLaura McMahon Phantom ladies: the war worker, the slacker and the 'femme fatale'Mark Jancovich Getting to Going to the ShowRobert C. Allen Film, space and place: researching a city in filmJulia Hallam Impersonal Enunciation, or the Place of Film (extracts)Christian Metz Cinema and the Two Cultures: Robert Lepage's La face cach233;e de la luneSylvie BissonnetteDisclaimer Taylor & Francis makes every effort to ensure the accuracy of all the information (the 8220;Content8221;) contained in its publications. However, Taylor & Francis and its agents and licensors make no representations or warranties whatsoever as to the accuracy, completeness or suitability for any purpose of the Content and disclaim all such representations and warranties whether express or implied to the maximum extent permitted by law. Any views expressed in this publication are the views of the authors and are not the views of Taylor & Francis.

At the forefront of art criticism and theory, October focuses critical attention on the contemporary arts—film, painting, music, media, photography, performance, sculpture, and literature—and their various contexts of interpretation. Examining relationships between the arts and their critical and social contexts, October addresses a broad range of readers. Original, innovative, provocative, each issue presents the best, most current texts by and about today’s artistic, intellectual, and critical vanguard. .