Russian Literature combines issues devoted to special topics of Russian literature with contributions on related subjects in Croatian, Serbian, Czech, Slovak and Polish literatures. Moreover, several issues each year contain articles on heterogeneous subjects concerning Russian Literature. All methods and viewpoints are welcomed, provided they contribute something new, original or challenging to our understanding of Russian and other Slavic literatures.Russian Literature regularly publishes special issues devoted to:• the historical avant-garde in Russian literature and in the other Slavic literatures• the development of descriptive and theoretical poetics in Russian studies and in studies of other Slavic fields.
The Modern Humanities Research Association is transferring institutional subscription administration and management to JSTOR for electronic only (E-only) and print + electronic (P+E) subscriptions for The Slavonic and East European Review. (There will be no print-only (P-only) subscriptions offered for this title.).
The South African Journal of African Languages is a peer-reviewed research journal devoted to the advancement of African (Bantu) and Khoi-San languages and literatures. Papers, book reviews and polemic contributions of a scientific nature in any of the core areas of linguistics, both theoretical (e.g. syntax, phonology, semantics) and applied (e.g. sociolinguistic topics, language teaching, language policy), and literature, based on original research in the context of the African languages, are welcome. The journal is the official mouthpiece of the African Language Association of Southern Africa (ALASA), established in 1979.
Founded amid controversy in 1901, the South Atlantic Quarterly continues to cover the beat, center and fringe, with bold analyses of the current scene--national, cultural, intellectual--worldwide. Now published exclusively in special issues, this vanguard centenarian journal is tackling embattled states, evaluating postmodernity's influential writers and intellectuals, and examining a wide range of cultural phenomena.
The South Central Review is an interdisciplinary journal publishing a stimulating mix of scholarly articles, essays, interviews, and opinion pieces on literary criticism, film studies, philosophy and history, as well as current debates on important cultural and political topics. The South Central Review is the official journal of the South Central Modern Language Association.
Speculum, published quarterly since 1926, was the first scholarly journal in North America devoted exclusively to the Middle Ages. It is open to contributions in all fields studying the Middle Ages, a period ranging from 500 to 1500. The journal’s primary emphasis is on Western Europe, but Arabic, Byzantine, Hebrew, and Slavic studies are also included. Articles may be submitted on any medieval topic; all disciplines, methodologies, and approaches are welcome, with articles on interdisciplinary topics especially encouraged. The language of publication is English.
Storytelling, Self, Society is an interdisciplinary journal that invites scholarship addressing any topic related to Storytelling--from its role as performing art to contemporary applications in a variety of professional fields. We welcome manuscripts from scholars in humanities and social science disciplines, including psychology, library science, literary studies, folklore, anthropology, sociology, communication, rhetoric, performance studies, theatre, history, feminist and queer studies, and ethnography, as well as from storytelling artists and practitioners, including those applying storytelling in the fields of education, health care, social work, business, law, peace-building and environmental education.Our purpose is to gather the building blocks of new disciplinary roles, structures, and methodologies for Storytelling in the 21st century. We seek articles that reflect the highest standards of the various disciplines on which we draw, and to which we intend to contribute. In addition to standard monographs, Storytelling, Self, Society seeks to extend the critical vocabulary of contemporary storytelling, and so solicits reviews of storytelling performances and individual texts, as well as essays that review several performances and texts. We also recognize that storytelling is a longstanding discipline in itself; thus we welcome personal ethnography and reflection, as well as stories that have evolved from the oral tradition and reflect upon the endurance and evolution of oral traditions in the present day.We recognize the profound and often contested influences of storytelling and cultural narratives on the health of the individual, the community, and the planet. We seek ways to evaluate, measure, and focus those influences to impact our scholarship, our disciplines, our society, and ourselves. In keeping with an interdisciplinary journal, monographs and review essays in Storytelling, Self, Society are written in prose that is appropriate for a wide range of scholars and educated readers rather than the specialized jargon of a specific discipline.Peer Review Policy: All published research articles in this journal have undergone rigorous peer review, based on initial editor screening and anonymous refereeing by multiple expert referees. On rare occasions, the editors may serve as reviewers. Publication office: Taylor & Francis, Inc., 325 Chestnut Street, Suite 800, Philadelphia, PA 19106.